a writer’s day

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Life has become more highly ritualised now that production of my doctoral creative artefact – my permaculture travel memoir – has begun to ramp-up.

In the morning, it goes like this…

5am or 5:30am rise. Empty potty (it’s too far to walk outside to the composting loo during the night). Get dressed. Wash face. Boil kettle. Pick fresh sprigs of mint; dodge bees drinking from flowers; brew pot of mint tea. Simultaneously brew a fresh cafetiere of coffee… carry both into the writing studio, place them on the heat-proof ceramic tile on my desk. Back to the kitchen to fetch a mug.

How can I impress upon you the importance of choosing the right mug? Which one today? So much depends upon it – the success of the written word.

Shall I choose this one or that? The green, or the midnight blue Japanese mug… the mottled, sandy-coloured oldies that came with the house… or my favourite, the cream-coloured Korean mug with the picture of the purple and yellow plums on the side?

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Start work.

Three to four hours of generating ‘fresh’ words. I call this process ‘seeding’. It’s how I flesh out the narrative and get words down on paper.

Break. 

Usually about 1 hour, during which I undertake a combination of the following: wash dishes (whilst listening to Margaret Throsby’s midday interview); make bed; browse the garden; eat lunch; prepare the evening meal.

Afterwards I resume work for another 2-3 hours. Time to edit the ‘old’ work I produced last week during my ‘seeding’ sprees. I call this part ‘weeding’, though sometimes it’s more like turning over the compost, trying to make the various elements disperse and break down more evenly. Integrate. Obtain a fine tilth. A perfect growing medium.

The final hour is of gentler, less intensive work. Sometimes it’s note-taking from secondary texts I’m working with: travel memoirs; natural histories; permaculture handbooks; or ethnographies…  This is the most brain-dead part of the day, reserved for things like notetaking or backing-up. 

Eventually, it’s time to finish. How to break the intensity of the day? 

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I try to leave the studio neat and tidy for tomorrow. Coming into an orderly space helps. I neaten the piles of books, pages, pens, drafts and drafts of drafts. They’re piling up. Soon I’ll have to confront them and file them away. When the doctorate is over I’ll probably mulch the garden with the seeding pages. I’ll be eating my words!

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Brisbane Climate March

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During the last weekend in November 785,000 people in 175 countries took to the streets to march in support of Climate Justice. Did you hear about it? Did the politicians convening at the United Nations Climate Change Conference in Paris hear about it?

I live – rather happily most of the time – without a TV. This means I saw relatively little of the news coverage.

However… I did one-up on watching. I made sure I was there – walking tall among the 5,000 or so individuals who marched in Brisbane, Australia on the 28th of November, calling for ‘Climate Justice’ and an end to our government’s dirty but lucrative addiction to coal.

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I’m glad I attended the march. It was heartening to be there. I realised there are plenty of us involved in the movement to realise a clean-energy revolution – people who desire a massive re-think of how we interact personally, locally, nationally and globally with Land. Environment. Earth. The future. Continue reading

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Let There Be Flowers

Richie inspects the overgrown kitchen garden upon our return from England

Richie inspects the overgrown kitchen garden upon our return from England

It has come to my attention this spring how important it is to let annual vegetable plants flower and go to seed. It’s a common habit among kitchen gardeners to remove plants after produce has been harvested, that is, before the plants flower and set seed. The reason being that most of us have limited space in our kitchen gardens and would rather see the precious space devoted to new planting (which represents new yields), as opposed to ‘unproductive plants’ that are past their best.

I write this post with one of mine and Richie’s own kitchen garden beds in mind – the one closest the back door. Because Richie and I weren’t here to harvest the plants during peak productivity this particular bed of mixed lettuce, broccoli, bok choi, kale and rocket has gone to flower.

A  few mature cabbages are the only things that haven't gone to flower in this particular garden bed

A few mature cabbages are the only things that haven’t gone to flower in this particular garden bed

It has been three weeks now since we returned from England. Every day I wake thinking that today will be the day I remove the flowering plants, add them to the compost heap and sew some new vegetable seeds in their place: radish, lettuce, carrot, fennel and basil all do well at this time of year.

But when I step outside and lay eyes on the blossoming tumble-down brassica plants I invariably can’t bring myself to do it. Why? Because the plants are literally humming with bees. Hundreds of them! European honeybees (Apis mellifera) as well as Australian native bees (Tetragonula – previously called Trigona). It’s such a joy to see and hear them at work that so far I have stayed my hand, allowing the plants (and bees) to keep on doing what they’re doing. At various time throughout the day I pause in my work to watch the native bees queuing at the entrance to the yellow broccoli flowers, one waiting for another to exit before making its own way inside.

What harm will it do, I ask, to leave the bed another couple of weeks until the flowers have faded and the seed heads – which have already formed – go crisp, brown and mature? Normally I’d make some attempt to save the seeds, but Richie tells me brassicas cross-pollinate promiscuously, so I’m reluctant to save seeds that might not grow true to type. What bastard children might these inter-species brassica unions beget?

Rocket-broccoli: brocket?

Bok-choi-kale: kak-choi?

Which brings me back to the ethics of the matter. Is it best to replant the flowering brassica-bed ASAP? This would ensure a steady supply of garden produce and would mean we don’t have to succumb to buying produce off the supermarket shelf. Or, should I leave the bed in question alone until all the plants in it have flowered and are dead? Perhaps I could go part-way, removing, say, half of the flowering plants, thereby freeing-up half the space in the bed for new plantings?

Keeping a steady supply of fresh produce coming from the garden into the kitchen is one of the priorities of kitchen gardeners

Keeping a steady supply of fresh garden produce coming into the kitchen is one of the priorities of kitchen gardeners – here’s one of Richie’s famous multi-leaf and herb salads

When I find myself in one of my more compassionate moods I wonder if removing plants before they’ve reached the natural conclusion of their lives is ‘right’ under any circumstances? Is killing a plant mid-cycle in any way similar to slaughtering an underage animal – a yearling cow or a calf raised for veal? And just as importantly, don’t we have an obligation, as gardeners, as human-animals, to share our garden produce with other non-human animals once we’ve received our ‘fair share’ of the produce – with bees for instance?

I suppose what I am saying is that I don’t rightly know the answer to any of these pesky questions. But more than ever, I feel there should be a place in Richie’s and my garden for vegetables that are flowering and setting seed – for them to stay in the ground until they effectively ‘die’.

The more wrinkles I get and the more grey hairs appear on my head the more I think it’s artificial (dare I say ‘unnatural’) to see a garden full of plants in their prime – no ‘unsightly’ or ‘old’ plants in view. To me, it’s the garden-equivalent of going to a party or a club where  over-thirties aren’t permitted entry. What fun is that?

In the name of diversity, I reckon it’s nice to nurture garden beds where babies, adolescents and geriatrics are crammed in together: creating pleasing variations in texture, colour, size. Inclusive multi-generational gardens serve a spiritual as well as an ecological function – seeing plants growing old and dying reminds me in a gentle way that I too will gradually stiffen, grow old and die. My body, like the bodies of the elderly plants in my garden, will return eventually to the soil, replenishing the earth, providing fertility for something else to grow.

The beautiful and decorate casings of dried poppy seed heads peak through the fence in a Norfolk churchyard, England

The beautiful and decorate casings of dried poppy seed heads peeking through the fence in a Norfolk churchyard, England – isn’t it time to live in the presence of death and dying, both in our gardens and in our own minds?

Personally, I think it’s time to live in the presence of visual evidence of death and dying, and to celebrate the entire life-cycle of plants, human-animals and non-human animals from birth to death, start to finish, AND that we should grow food not only for ourselves but for other beings who have lives and minds and bodies of their own to sustain, for instance, bees. Which is why the flowering lettuce, rocket, broccoli and kale plants persist in our garden and are flowering right now as I write, and why the bees continue to be their favourite customers.

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Home & Away Part Two: A Guide to Absentee Gardening

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The third golden rule of absentee gardening: MULCH!

This post is the second in a series of three. Collectively, the posts weigh the pleasures of roaming (travel) against the pleasures of homing (epitomized by the practice of gardening), offering practical tips and solutions for gardeners – who like me – enjoy long periods away from the nest. In short, this series of posts is about ‘absentee gardening.’

In this particular post I outline the crucial six-steps I followed prior to departing on a four-week holiday. It goes without saying that gardens benefit from regular attention, and so four weeks without maintenance is a lot to ask of any annual vegetable garden!

Why I was leaving… the back story
A few hours after delivering my Confirmation Presentation (a doctoral milestone!) to a mingled audience of faculty, friends, family and office of research staff at the University of the Sunshine Coast I decided it was time to celebrate. I jumped online and did the unthinkable: booked a ticket to Thailand and Vietnam for one month. I hold the endorphins released during the presentation responsible for the rashness of my decision – or maybe it was simply the fact that I was missing Richie, who had been away in Thailand for four-weeks already.

Hold on honey, I’m a-coming!’ was the subject of the email I posted to Richie that night. Continue reading

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The birds

A Rufus fantail pip-pip-pips in the garden. I watch it skitter along the central rib of a palm frond, which in an act of biomimicry, is also fantail shaped. The bird doesn’t stay long in one place. It swoops between frond and treetrunk, pausing  to unfurl its flashy tail, dancing from side to side. The bird is as fleet of foot as it is of wing. Two bounces and he’s off, taking his provocative self-advertisement elsewhere.

I’ve seen the Lewin’s honeyeater already this morning. I assume it’s the same bird I saw yesterday but it might not be. There are loads of them about. The Lewin’s has a liking, I’ve noticed, for the creamy two-inch trumpet-shaped flowers hanging in clusters from the drooping green stems of the male papaya tree. The birds have a knack for reaching their beaks right up inside the flowers, probing for nectar. The plundered flowers fall to the ground where they lie concentrated in piles beneath the Lewin’s favourite perches. The pattern they make on the soil a reflection of the Lewin’s desire.

I watch out the window of my studio as another creamy trumpet flower floats to the ground. The soil it lands upon is dark, rich and wet. It’s not like Richie and I to leave soil exposed: big permaculture no-no! But it’s something we’re trialling. What we’re doing is waiting for the rows of miniature broccoli, cabbage, lettuce, kailarn and kale that we sewed directly late last month to get a wriggle on: once their heads are a few inches above the soil we’ll lay on thick mulch, tucking them in to enjoy a slow season of growth and productivity. We’d never try it in summer. Too hot.

Looking again at the soil I imagine it smells sweetly of hummus, microbes and mycelium.

Like Richie and the papaya tree, the soil isn’t native to this place. It’s a ring-in. It landed here on the end of mine and Richie’s spades, gathered in wheelbarrows from the mountain of shit towering in the back of the ute: rotted cow manure from a dairy ten clicks down the road. Good Obi Obi cow shit. Continue reading

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Home & Away Part 1

Is it me, or are the desire to travel and the desire to garden at odds?

The reason I ask is that I find myself faced with the quandary of wanting to travel and wanting to settle (literally cultivate a home and garden).

Inside me, the hunter/gather and farmer/settler archetypes coexist in uneasy, sometimes antagonistic relation.

Me: the muddy boots of a permie (permaculture gardener) and the worn backpack of a bona-fide traveller. Eeck. A walking contradiction?

Me: the muddy boots of a permie (permaculture gardener) and the worn backpack of a bona-fide traveller. Eeck. A walking contradiction?

Not an ideal scenario, right?

Over the past few years I’ve attempted (with varying degrees of success) to harmonise my desire to travel with my desire to garden: I’ve gardened whilst dreaming of travel, and have even gardened whilst travelling, albeit in other peoples’ gardens (if the latter appeals to you I suggest you look into becoming a WWOOFer – a Willing Worker on Organic Farms).

Me WWOOFing in Central Italy - labors spent in service of anthers' garden

Me WWOOFing in Central Italy – labours spent in service of anothers’ garden

Although my heady months of WWOOFing during my overland odyssey from England to Australia in 2012-2013 were extraordinary and deeply rewarding, there was something that dissatisfied me, generally, about my experience:

I never stuck ’round long enough to reap what I had sewn.

The nature and manner of the type of travel in which I was engaged (long-term, multiple-country, terrestrial, low budget, low carbon) was such that no sooner had I settled down and begun to develop feelings for a place, than it was time to move on.

And on…

And on…

And on.

By threading one WWOOF to the next I finally made my way overland from England to Australia, via twenty-one countries. The entire journey took seventeen months to complete and is remembered as a series of falling in love with places, and then having to leave – learning gradually, and with distance, to let them go.

The good news, I discovered, is that as a species we’re admirably well-adapted to love broadly and widely, deeply and long. The understanding that I have cultivated over the course of my hybrid travel-gardening adventures is that humans are polyamorous in terms of their relationship to place: that they can belong to many places (and cultures) at once.

Mine and Richie’s beloved first-ever kitchen garden at The Patch, England

As I write, it occurs to me that one of the reasons I regard travelling and gardening as incongruous (and I admit, I haven’t decided outright that this is truly the case) is that gardening is something you do at home. Traveling, on the other hand is a practice you practice ‘away’ from home. Insofar as practices go, gardening and travelling share the characteristic of being place-specific. It just so happens that the places in which they occur are thoroughly incompatible, even opposite: home & away respectively. Continue reading

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Successful Confirmation

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45 days after giving my Confirmation Presentation

I can say with certainty that I am officially…

CONFIRMED!

I received the confirmation outcome advice from the Office of Research two days ago.

Here’s what the email said:


Dear Nina

I am pleased to advise that the Chair of the Research Degrees Committee has approved the faculty’s recommendation to approve your progression to confirmed candidature in the Doctor of Creative Arts program at the University of the Sunshine Coast. Your revised Research Plan has also been approved and your thesis title updated as indicated:

Seed: cultivating permaculture-travel memoir through applied permaculture design      


Attached to the email was a copy of the examiner’s report.  Continue reading

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Invitation – Join me for my confirmation presentation!

If you’re in the Sunshine Coast area (Queensland, Australia) I invite you to attend my confirmation presentation where I will be exploring the doctoral research I’ve undertaken to date and the anticipated future directions of the research leading to submission for examination within the next year or two.

Details of the seminar are:

Title: Seed: cultivating permaculture-travel memoir through applied permaculture design.

Presenter: Nina Gartrell, DCA Candidate

When: Friday 10th April 2015 between 10am-10.30am

Where: KG.07 Business Conference Room, Sippy Downs campus, University of the Sunshine Coast

Staff, students, graduates and members of the public are welcome to attend.

Abstract
My research endeavours to productively fuse permaculture and travel memoir to create new understandings of sustainability. The project grew organically out of the rich lived-experiences I accumulated during an extended period of wanderlust and experimentation in sustainable living practices. It marries my recent experience as a permaculture practitioner with my ongoing passion for travel and writing.

The concept for the research is to apply the principles of permaculture design to the analysis, contextualisation and creation of an innovative form of travel memoir. The aim is to generate a prototype of permaculture-travel memoir and a blueprint of how permaculture can be used and adapted as the basis of an ecologically informed creative writing praxis.

The creative artefact, entitled Seed: the Art and Mystery of Permatravel, is a permaculture-travel memoir inspired by a flightless journey from England to Australia that I undertook in 2012-2013. The journey was conceived as an experiment in permaculture-designed (ethical) travel and will be portrayed in the creative artefact as a personal quest to locate and learn from individuals and communities who embody the ideal of ‘permanent culture‘ and who practice ‘permanent agriculture‘. From forest gardening in the UK, to rammed earth construction in the Middle Atlas Mountains and from synergistic gardening in Tuscany to biological pest control on the island of Koh Phangan the creative artefact explores the diverse techniques individuals use to meet their needs for food, energy, water and shelter sustainably from their local environment. The research draws on key concepts and critical discourses in ecocriticism, environmental anthropology, environmental philosophy, sociology of tourism and applied permaculture design.

Bio
In 2007 I resigned from a position as a research assistant at a reputable Australian university to travel to India. Within two months of leaving Australia I met my lifelong partner and ‘discovered’ permaculture. I spent the following six years abroad: gaining accreditation as a permaculture designer; planting a food forest; building a turf-roof barn; traveling extensively; and working in London as a freelance journalist. In 2013 I returned to my home on the Sunshine Coast where I am currently putting down roots and cultivating a garden: a space in which to grow the many seeds (literal and figurative) I collected over the course of my travels. The biggest seed I am tending is my doctoral research on ‘permatravel’ and ‘permaculture-travel memoir’. I have a Bachelor of Communications (Literary Studies; Film and Media Studies) and a BA(Hons) awarded from Griffith University. I received the University Medal for my Honours dissertation.

Here’s me in the role of ‘perm-traveller’ (I’ll try and look a little more presentable on friday… hope to see you there!

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‘Abundance’

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an image of abundance

‘Abundance’ is a hallowed concept in permaculture. Abundance is what we permaculturalists aim for: abundant, multifarious yields of fruits, nuts, herbs, medicines, fibres… all things useful and edible.

The way I see it abundance is nature’s reward for careful, insightful design work. I like abundance. As a form of feedback it tells us we’re doing something right. In my mind the word ‘abundance’ conjures up the world of Sofia Coppola’s gorgeously realised period-extravaganza: Marie Antoinette. The costumes, designs and settings in this film reek of opulence. They’re sumptuous. Abundant!

Outrageously sumptuous, Copolla's Marie Antoinette

Outrageously sumptuous: Coppola’s Marie Antoinette

What am I responding to when I respond to the idea of ‘abundance’? Is it something sexy? Something related to fecundity? Excess? Who wouldn’t prefer to lay eyes on a tray mounded with macaroons rather than a tray with just one or two macaroons swimming in vast empty space?

The fact is humans respond (through their eyes and then their brains) to abundance. No denying it. It’s why nutritionists urge people to store their wholefoods (nuts, seeds, pulses, dried fruits) in glass jars in prominent places in their kitchens – so the produce can be seen. Apparently the mind is attuned to abundance. When we see abundant food-stores we feel happy, assured, comforted: starvation seems a far-off possibility.

Store your whole foods and preserves somewhere where you can see them. Celebrate 'abundance'!

Store your whole foods and preserves somewhere where you can see them. Celebrate ‘abundance’!

To me, abundance is a principle exemplified by plants. Plants give abundantly. If you don’t believe me, look how many seeds reside inside a single tomato or how many mangos a mature tree produces in one season. Loads!

Sure, plants aren’t always abundant in terms of the yields they offer. There are bad years when not enough rain/too much rain/not enough sun/too much sun/sun at the wrong time/rain at the wrong time means poor yields and as a result, scarcity.

Yes, scarcity. That hideous word bandied about by scaremongering politicians and capitalists with a view to convincing us ‘There’s not enough stuff out there for all of us.’ And that, ‘We need to beg, borrow, steal more, More, MORE, MORE.’

Me? I’m not buying it.

Why? Because I believe in abundance. And not just believe. I know it exists and that it is something we can all, realistically, aspire to.

Here’s how I know…

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Designer as recliner (defining permaculture…)

IMG_5965 This week I’m working on my confirmation presentation: a 15-20 minute ‘lecture’ I will be giving in about two-weeks’ time to my USC peers, supervisors, faculty, the Office of Research and any one else who wants to come along (do you?). The presentation will be a summary of my proposed research, including methods and methodologies, relevant literature, significance and innovation and the nature and purpose of the creative artefact.


Note: ‘Confirmation’ (in terms of higher degree research (HDR) does not entail donning white or attending church. It’s a process whereby a ‘probationary’ candidate becomes a fully-fledged (‘confirmed’) candidate. After completing one’s ‘confirmation’ the researcher gets the red, orange or green light from the Office of Research in regard completing their research. Confirmation takes place one-year after commencement for full-time candidates, or two-years for part-time candidates.


I’m anxious about providing my audience – early on in the presentation – with a simple definition of permaculture. The definition of permaculture with which I provided my audience this week during a test-run was Bill Mollison’s classic definition of permaculture from Permaculture: A Designers’ Manual:

Permaculture (permanent agriculture) is the conscious design and maintenance of agriculturally productive ecosystems which have the diversity, stability, and resilience of natural ecosystems. It is the harmonious integration of landscape and people providing their food, energy, shelter, and other material and non-material needs in a sustainable way.  Mollison, B 2012, Permaculture: A Designers’ Manual, Tagari Publications: Sisters Creek, Tasmania, p. ix.

Earlier today I was reading Eric Toensmeier’s Paradise Lot and came across this definition of permaculture, which I like:

Meeting human needs while improving ecosystem health. Ferguson in Toensmeier, E 2013, Paradise Lot, Chelsea Green Publishing: White River Junction, Vermont, p. 3.

How simple is that! Here’s another:

Permaculture is a design system for creating sustainable human environments.’ Mollison, B & Slay, R M  2011, Introduction to Permaculture, Tagari Publications, Sisters Creek, Tasmania, p. 1.

In Paradise Lot (a fun, enthusiast permaculture memoir that’s well worth a squizz) Toensmeier explains permaculture thusly:

Permaculture (short for “permanent agriculture” or “permanent culture”) is a movement that began in Australia in the 1970s. It brings together traditional indigenous land management practices, ecological design, and sustainable practices to create landscapes that are more than the sum of their parts. Permaculture is not so much about having a greenhouse, chickens, and an annual vegetable garden as it is about how those elements are tied together to create functional interconnections that work like a natural ecosystem. Low maintenance is the holy grail of permaculture – a food forest with a hammock hidden beneath fruit trees, where, as permaculture codeveloper Bill Mollison famously quipped, “the designer turns into the recliner. (Toensmeier, E 2013, Paradise Lot, Chelsea Green Publishing: White River Junction, Vermont, p. 2)

Recently, in my own life, the permaculture designers (me and Richie) turned into permaculture recliners. Here’s a picture of Richie chilling-out in a hammock during a recent camping trip to Booloumba Creek, Kenilworth. IMG_3317 Seeing Richie hanging out got me thinking how little of this we’ve done lately. Continue reading

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